Huesca Film Festival

Catalogue
37th Edition
2009


The retrospective of international experimental videos presented in INVIDEO is a panorama of video art from the 80s to the present. Experimentations and contaminations that merge in every genre of cinema and audiovisual arts: documentaries, video art, video dance, music videos, animations, experimental fiction, etc. A range of works that show the audience the long path covered by this genre; technological breakthroughs, changes of content and formal evolutions of an artistic trend that originally devoted to explore alternative and artistic languages, essentially conceptual and typical of mass communication media but presently represent a sort of audiovisual and creative “melting pot” in which the manipulation and total contamination of the various audiovisual genres prevail. INVIDEO presents two extensive chronological programmes which ranges from the first audiovisual experimentations of the pioneers of video art such as: Robert Wilson, Robert Cahen, Steina & Woody Vasulka, Gianni Toti... to the most recent video artists such as: Daniel Askill, Alessandro Amaducci, Anna Linder, Miloš Tomic, etc. All the works presented in this collection come from the archives of INVIDEO.

A PROGRAMME SELECTED BY: VALENTINA DI PRISCO

LE DUEXIÈME JOUR

(FRANCIA - ESTADOS UNIDOS) -1988- Vídeo / Color / 8 minutos. Documental/Experimental.

Imagen de la película
  • DIRECTOR: Robert Cahen.
  • MONTAJE: Ermeline Le Mezo.
  • MÚSICA: John Zorn.
  • VERSIÓN: Original con subtítulos en español.
  • PRODUCTORA: The Kitchen, INA, Ex Nihilo, KTCA.

A vision of New York inspired in the music of John Zorn, a complex artist from the group of young musicians of “post jazz”. The director works above all with music, rhythm, colour and movement. It is a poetic interpretation of the infinite paradigms of a metropolis through electronic effects and modifications of the moving images.

LA FEMME À LA CAFETIÈRE

(FRANCIA) -1989- Vídeo / Color / 7 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Robert Wilson.
  • FOTOGRAFÍA: Renator Berta.
  • INTÉRPRETES: Suzushi Hanayagi, Consuelo de Haviland.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Virginie Herbin, (Musee D'Orsay), Sylvie Blum (I.N.A.)

Robert Wilson brings movement to Cézanne’s painting, reproduced in the studio for the camera. Suzushi Hanayagi, a dancer from the Kabuki theater, performs the role of the woman, whose slight, almost imperceptible, facial and body movements -- together with mysteriously animated objects and strange apparitions -- bring the painting alive.

CITÉS ANTERIEURES: SIENNE

(FRANCIA) -1992- Vídeo / Color / 7 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Christian Boustani.
  • CÁMARA: Lionel Legros.
  • MONTAJE: Ermanno Corrado.
  • MÚSICA: Eve Ramboz, Alain Escalle.
  • VERSIÓN: Internacional.
  • PRODUCTORA: Persona Films, Grand Canal, Mikros Image. Con la participación de: Canal+, la Délégation aux Arts Plastiques, l’INA. G.R.M, la PROCIREP.

A part of a trilogy about medieval cities, Sienne is a collage of images and sounds that shows the suggestive moments of the traditions in the Tuscan city (The Canopy, the representational heritage, etc.). Boustani recreates the urban fabric without the need of using words, connecting the past and the present through poetry and tenderness.

LE CONTE DU MONDE FLOTTANT

(FRANCIA - JAPÓN) -2001- Vídeo. / Color / 24 minutos. Animación/Experimental.

Imagen de la película
  • DIRECTOR: Alain Escalle.
  • GUIÓN: Alain Escalle.
  • FOTOGRAFÍA: Hamaguchi Bunkouc.
  • MONTAJE DIGITAL: Franck Magnant.
  • MÚSICA: Cecile Le Prado.
  • COREOGRAFÍA: Kayuka Ohashi, Yuko Nakamura.
  • VERSIÓN: Original con subtítulos en inglés y en español.
  • PRODUCCIÓN: Naoyuki Kibe, Akira Mizuyoshi, T.E.V.A., Mistral Film.

An animation film composed of the real characters shot in Japan and the mixture of new and traditional (film, video, photo, illustration and artificial images etc.) techniques. A free and surrealist evocation of Japan and of the atomic bomb, in the form of an imaginary story, cruel and childlike.

PUGNI. E SU DI ME SI CHIUDE UN CIELO

(ITALIA) -2002- Vídeo / Color / 8 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Andrea Adriatico.
  • GUIÓN: Andrea Adriatico.
  • FOTOGRAFÍA: Gigi Martinucci.
  • MONTAJE: Roberto Passuti.
  • PUÑOS: Gino Paccagnella (voz), Simone Rotolo, Marco Sacramati.
  • VERSIÓN: Original con subtítulos en español.
  • PRODUCTORA: Teatridivita.

The video inspires in the text by Filippo Tommaso Marinetti Le mani. The director presents images of hands and fists that mime the text. Irony, intelligence and some visual surprises are the main features of this video made by Andrea Adriatico, film and theatre director.

VERTEBRA

(FINLANDIA) -2003- Vídeo / Color / 5 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Milla Moilanen.
  • FOTOGRAFÍA: Petri Heikkilä.
  • MONTAJE: Heikki Salo
  • MÚSICA: Pekka Karjalainen.
  • COREOGRAFÍA: Alpo Aaltokoski.
  • INTÉRPRETES: Alpo Aaltokoski, Janne Marja-aho.
  • VERSIÓN: Internacional.
  • PRODUCTORA: Outi Rousu, Periferia Productions

Movement of the body and movement of the mind: the video attempts to convey the link between these two movements in dancing. The bodies of the two dancers move through a dialogue with medical and scientific images, in a screen layout that uses various techniques of inlay and superimposition. A poetic study of movement.

DESDE LA MEMORIA

(ESPAÑA - ALEMANIA) -2003- Vídeo / Color / 8 minutos. Documental/Experimental.

Imagen de la película
  • DIRECTOR: Christina Von Greve.
  • FOTOGRAFÍA: Laura Sipán, Laura Sánchez, Nacho López, Christina Von Greve.
  • MONTAJE: Saúl Benejama, Christina Von Greve.
  • SONIDO: C-Schulz.
  • VERSIÓN: Original en español con subtítulos en inglés.
  • PRODUCCIÓN: Maria Luisa Serrano con el apoyo de Pépinières Européennes pour jeunes artistes; MAP Programme; Programma Cultura 2000 dell’Unione Europea. En colaboración con: Escuela de Cine y Audiovisual, Madrid; Instituto de la Juventud, Madrid.

A work about the Spanish Civil War and the Franco dictatorship; period sequences, eye witness accounts, “manipulated” archive material and images taken from daily life today make up a mosaic of points of view, memories, visions which combine to create a genuine collective “stream of consciousness”.

WE HAVE DECIDED NOT TO DIE

(AUSTRALIA) -2003- Vídeo / Color / 11 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Daniel Askill.
  • GUIÓN: Daniel Askill.
  • FOTOGRAFÍA: Denson Baker.
  • MONTAJE: Daniel Askill.
  • MÚSICA: Daniel Askill.
  • INTÉRPRETES: Daniel Askill, Jordan Askill, Kasia Werstak.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Daniel Askill, Cristopher Seeto, Collider Group, Australian Film Commission.

The piece consists of three chapters corresponding to three performances by the protagonists: Ritual 1 - Kasia Werstak = birth; Ritual 2 - Daniel Askill = between; Ritual 3 - Jordan Askill = rebirth. Interiors and exteriors are wrapped in the same, cold and enigmatic light.

BEDDU NOSTRU SIGNORI

(ITALIA) -2004- Vídeo / Color / 3 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Giuseppe Tumino.
  • FOTOGRAFÍA: Giuseppe Tumino.
  • MONTAJE: Giuseppe Tumino.
  • VERSIÓN: Original con subtítulos en italiano y en español.
  • PRODUCCIÓN: Giuseppe Tumino.

An intense and suggestive journey through the atmospheres of religious celebrations held in various Sicilian towns. To the urgent rhythm of a Sicilian song, we are witnesses of a series of parades, with emotional, adoring, festive crowds of people. This passionate documentary film focuses in the anthropological aspect of the traditional Italian religious celebrations.

ELECTRIC SELF

(ITALIA) -2006- Vídeo / Color / 4 minutos. Danza Experimental.

Imagen de la película
  • DIRECTOR: Alessandro Amaducci.
  • FOTOGRAFÍA: Alessandro Amaducci.
  • MONTAJE: Alessandro Amaducci.
  • MÚSICA: Alessandro Amaducci.
  • INTÉRPRETES: Giuliana Urcioli.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Alessandro Amaducci.

In an infinite space, suspended in a dream, a pregnant woman dances and contorts her body. The digital effects give the impression of being in front of a distorting mirror and the transition from black and white to intense colours make the image of this woman contradictory with her condition of mother-to-be.

PLIVNUTÍ POLIBKEM

(REPÚBLICA CHECA) -2007- Vídeo / Color / 11 minutos. Animación/Experimental.

Imagen de la película
  • DIRECTOR: Miloš Tomic.
  • GUIÓN: Miloš Tomic.
  • FOTOGRAFÍA: Miloš Tomic.
  • MONTAJE: Miloš Tomic.
  • ANIMACIÓN: Miloš Tomic.
  • MÚSICA: Vladimir Chab.
  • INTÉRPRETES: Jakub Hradilek, Lenka Valevska.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Jasmina Sjercic, Famu Productions.

The animation technique creates a playful and absurdly distraught universe, whose protagonist both observes and interacts with the world while lying on the ground. This backwards view on perspective renders the impossible possible.

MUSICA DA CUCINA

(ITALIA) -2007- Vídeo / Color / 10 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Giuseppe La Rosa, Sara Filippelli.
  • GUIÓN: Giuseppe La Rosa.
  • FOTOGRAFÍA: Giuseppe La Rosa.
  • MONTAJE: Giuseppe La Rosa.
  • VERSIÓN: Original con subtítulos en español.
  • PRODUCTORA: VideoShock.

The film is a treat for the eyes, the ears and the palate. Thanks to the collaboration of a Sicilian restaurant, the authors have created an encounter between tradition and modernity. It is a music video-score that shows the audience the preparation of 4 dishes from the typical Sicilian cookery.

LES RABOTEURS
LOS ACUCHILLADORES

(FRANCIA) -1988- 35 mm. / Color / 7 minutos. Danza.

Imagen de la película
  • DIRECTOR: Cyril Collard.
  • GUIÓN: Alain Rabaud, Olivier Jacquet, Nicolas Faure.
  • FOTOGRAFÍA: Daniel Barrau, Eric Amblard, Jean-Marc Bringuier.
  • MONTAJE: Eager di Coute, Diane Logan.
  • MÚSICA: Thierry Lancino.
  • INTÉRPRETES: Christophe Haleb, Alvaro Morell, Angelin Preljocaj.
  • VERSIÓN: Original con subtítulos en español.
  • PRODUCTORA: Musée d’Orsay, La Sept, Opus 10.19.

Based on Gustave Caillebotte painting Les Raboteurs de parquet, kept at the Musée d’Orsay in Paris, the director transforms the workers of the painting into three dancers who, through dance, speak about love and sweetly reveal the most significant moments of the staging.

IN THE LAND OF ELEVATOR GIRLS

(ESTADOS UNIDOS) -1989- Vídeo / Color / 4 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Steina Vasulka, Woody Vasulka.
  • AYUDANTE: Hirofumi Mora.
  • VERSIÓN: Original con subtítulos en español.
  • PRODUCCIÓN: IMATCOIATANOR para Television Espanola S.A, EI Arte del Video.

The film uses the elevator as a metaphorical vehicle to reveal an outsider's gaze into contemporary Japanese culture. The continual opening and closing of elevator doors serves as a succinct formal device, as the viewer is offered brief glimpses of a series of natural, urban, cultural and domestic landscapes.

TENEZ

(ITALIA) -1992- Vídeo / Color / 15 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Gianni Toti.
  • MÚSICA: John Cage.
  • INTÉRPRETES: Valeria Magli.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Gruppo libero di Bologna, RAI, Università degli Studi di Bologna, Teatro Petrella di Longiano, ETABETA.

A video poem about dancing and sport made from a series of meditations about electronics, on the occasion of the anniversary of the University of Bologne. A confrontation of artistic languages and techniques manipulated thanks to electronics with Valeria Magli as the protagonist of the dance in memory of Suzanne Lenglen.

MIRA AL TERRA

(ESPAÑA) -1992- Vídeo / Color / 11 minutos. Danza.

Imagen de la película
  • DIRECTOR: Pedro Ballesteros.
  • GUIÓN: Pedro Ballesteros.
  • MÚSICA: Jaime Fatás.
  • INTÉRPRETES: Mireya Caparros, José Luis Prats.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Pedro Ballesteros.

A visual and a narrative experiment in which the actors are the shadows cast by the people in the city. The ground becomes a screen on which we see shadows wandering around like silhouettes. The world is turned upside down, and the shadows make us forget the bodies that cast them. The screen has banished reality and turned it into a shadow.

AS COLORS DO

(ITALIA) -1999- Vídeo / Color / 3 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Monica Petracci.
  • VOZ Y TEXTO: Gabriella Rusticali.
  • INTÉRPRETES: Gabriella Rusticali, Stella Tripod, Brugla Black Eye, Pinky Lip Stick, Stripe Spark, Cristerino Cronos
  • VERSIÓN: Original con subtítulos en español.
  • PRODUCCIÓN: Monica Petracci.

Through the simple application of a digital filter over a series of previously edited images, Petracci turns dirty walls, wild plants, corners of windows and abandoned paving into glimpses of a nomadic and wandering life, represented by cats. A female figure repeatedly performs a kind of ritual gesture.

MOTION CONTROL

(REINO UNIDO) -2001- Vídeo / Color / 9 minutos. Danza.

Imagen de la película
  • DIRECTOR: David Anderson.
  • GUIÓN: Liz Aggiss, Billy Cowie.
  • FOTOGRAFÍA: Simon Richards.
  • MONTAJE: Mark Richards.
  • MÚSICA: Billy Cowie.
  • COREOGRAFÍA: Liz Aggiss, Billy Cowie.
  • INTÉRPRETES: Liz Aggiss, Naomi Itami (voz).
  • VERSIÓN: Internacional.
  • PRODUCTORA: Zed Production Company, BBC, Arts Council of Britain.

Take one glamorous and ageing dancer. Trap her in the real world then smash into her private reality. Control her movement, contain her emotion. Well you can try but she has already beaten you to it.

CUM PANE

(SUECIA) -2002- Vídeo / Color / 8 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Anna Linder.
  • FOTOGRAFÍA: Maria Hammar Turos.
  • MONTAJE: Håkan Wärn.
  • MÚSICA: AALY.
  • INTÉRPRETES: Eva Grundstöm, Evald Grundstöm.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Lisbet Gabrielsson.

The video shows the phases of baking, from kneading the dough, through cooking in the oven to breaking the finished bread together. The idea is to bring out the poetry of certain simple, genuine, life-giving gestures. Sharing bread is the image of another kind of sharing, that of the artistic process.

SERIAL FLOWERS

(ITALIA) -2003- Vídeo / Color / 11 minutos. Experimental.

Imagen de la película
  • REALIZACIÓN: Beniamino Borghi, Federico Gabbiani, Marilia Pederbelli.
  • VERSIÓN: Original con subtítulos en español.
  • PRODUCCIÓN: Beniamino Borghi, Federico Gabbiani, Marilia Pederbelli.

A journey through industrialization and mass production using different aspects of art and particularly using images from the industries of electrical appliances, motor vehicles, food industry and agriculture.

BURST

(ISLANDIA) -2003- Vídeo / Color / 5 minutos. Danza.

Imagen de la película
  • DIRECTOR: Reynir Lyngdal.
  • FOTOGRAFÍA: G. Magni Agustsson.
  • MONTAJE: Gunni Palli.
  • SONIDO: Bix, Daniel Agust.
  • COREOGRAFÍA: Katrin Hall.
  • INTÉRPRETES: Kata Johnson, Elias Knusden.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Anna Dis Olafsdottir, Jon Thor Hannesson, Sagafilm.

A couple waking up; as the sound of a tap dripping in the next room is heard intermittently, the physical tension between the man and the woman increases to the point where it breaks out in a fight on the bed.

MARSA ABU GALAWA

(PAÍSES BAJOS) -2004- Vídeo / Color / 13 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Gerard Holthuis.
  • FOTOGRAFÍA: Gerard Holthuis.
  • MONTAJE: Gerard Holthuis, Machteld Blom.
  • MÚSICA: Abdul Baset Hamouda.
  • VERSIÓN: Internacional.
  • PRODUCTORA: Filmstad producties.

The video combines music and images caught up in a frenzied stream, like a ritual dance forcing the senses to the limit, to encourage purification and the rebirth of consciousness. Fish, seaweeds, corals, rocks, sand: everything is divided up into fixed images or the briefest of sequences which, re-assembled to the urgent rhythm of the music, leave us breathless, filling our eyes with new colours and shapes. 

STRIP MELODY

(ITALIA) -2005- Vídeo / Color / 4 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Vincenzo Beschi.
  • MÚSICA: Cathy Berberian.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Elena Pasetti, Pinacoteca Internazionale dell’Età Evolutiva Aldo Cibaldi del Comune di Rezzato (BS)

The video shows us a sequence of vocal fragments pronounced by children, disjointed, dissonant sounds, a cacophony, representing emotions, surprise, hesitation. The spectator is acoustically catapulted into the range of onomatopoeic sounds typical of the bubbles in strip cartoons, experiencing a sound/video puzzle based on a musical form.

INSECT

(AUSTRALIA) -2006- Vídeo / Color / 4 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Magda Matwiejew.
  • ANIMACIÓN: Magda Matwiejew.
  • SONIDO: Magda Matwiejew.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Magda Matwiejew.

Insect is a journey to a space between dream and reality, where anything seems possible, but also the discovery of a wondrous vision where eroticism and sensuality are outside the usual restrictions of society. The artist exploits fragments of reality that she transforms and reassembles in a stratified, multiform exultation of shapes and colours.

LA CITTÀ ALLE SPALLE

(ITALIA) -2007- Vídeo / Color / 6 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Riccardo Apuzzo.
  • FOTOGRAFÍA: Riccardo Apuzzo.
  • MONTAJE: Riccardo Apuzzo.
  • MÚSICA: Andrea Vagnoni.
  • VERSIÓN: Internacional.
  • PRODUCTORA: Twin Pixel.

The video shows us an unusual Milan, slow and romantic through some non-touristy places immersed in a dimension without time. Water canals that cross the city, old abandoned factories, deserted streets, windows looking at outlying landscapes and security cameras wrapped in spider webs, are the reflection of a static and quiet city.

APROP

(ESPAÑA) -2007- 35 mm. / ByN / 6 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Aitor Echeverría.
  • FOTOGRAFÍA: Aitor Echeverría.
  • MONTAJE: Pedro Pablo Rodenas.
  • SONIDO: José Luis Guardeño.
  • INTÉRPRETES: Carolina Alejos, Silvia Marín.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Alicia Cinematográfica.

A slow awakening in the darkness of night. Above the sound of the wind we hear the sighs and moans of two women, who on opening their eyes, discover the body of the person they love beside them. And so begins the invitation to the game, to love, to Eros, becoming ever more intriguing and seductive. The result is a polished exaltation of the beauty of the feminine form.

FRAMING (BILDFENSTER / FERNSTERBILDER)

(ALEMANIA) -2007- 35 mm. / ByN / 6 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Bert Gottschalk.
  • GUIÓN: Bert Gottschalk.
  • FOTOGRAFÍA: Bert Gottschalk.
  • MONTAJE: Rudi Zieglmeier.
  • MÚSICA: Franz Schubert.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Bert Gottschalk.

When animation meets the world of the moving image, the results can be both interesting and significant, as in the case of this video. Here fragments of Super8 film, photos, and video material are assembled in such a smoothly continuous and  profitable dialogue, that the boundary between one source and another is no longer discernable. Animation amalgamates the video-film universe.

CONFUTATIS

(ITALIA) -2007- Vídeo / Color / 3 minutos. Experimental.

Imagen de la película
  • DIRECTOR: Luca Zoppi.
  • MONTAJE: Luca Zoppi.
  • MÚSICA: Wolfgang Amadeus Mozart.
  • DISEÑOS: Luca Zoppi.
  • VERSIÓN: Internacional.
  • PRODUCCIÓN: Leonardo Carrano.

Confutatis is part of a project including 14 short works inspired by pieces from the renowned Requiem by Mozart  and is a result of the elaboration and animation of dry, brittle leaves, from which a riot of abstract forms emerges, a source of light and color, which merge and enhance the music.

INVIDEO

International Exhibition of Video and Cinema Beyond

Since 1990 INVIDEO -  International Exhibition of Video and Cinema Beyond has established itself as an international benchmark for the full range of audiovisual production connected to electronic art and new technologies.

THE EXHIBITION

From the outset, the aim has been to create in Milan a permanent archive of non-fiction art from around the world - video art, research and experimental film and video, documentaries, music, theatre and dance video, portraits of artists, etc. Thus, year after year, INVIDEO undertakes an in-depth and wide-ranging selection process, after which the most significant Italian and international works are acquired for the archive and presented to audiences at a major Exhibition. As part of the annual event, alongside the rich and varied programme of screenings, there are meetings with video makers, introductory presentations to premieres, debates, retrospectives, performances and video installations. During the year, the works which have been acquired since 1990 can be viewed where they are stored, at the Medialogo centre of the Province of Milan. The collection is available for consultation by the public, in particular by students, researchers, cultural organizations and associations. As from this year, the INVIDEO archive can be consulted not only at the Medialogo but also at the DOCVA (Documentation Centre for Visual Arts), the documentation centre shared by Invideo, Consorzio C/O careof – VIAFARINI and Show Biz at the “Fabbrica del Vapore”. In recent years INVIDEO has also focused its attention to the promotion of video makers and their films in Italy and Europe, through the coordination of European Institutions and Festivals dedicated to "New Images". Thanks to its international team of partners and contributors, INVIDEO today can count on a permanent network of interchange and contacts with artists, critics, industry professionals, broadcasting and production centres, creating a truly global - but never uniform - picture of the world and its mutations, of the research into new languages of expression and new audiovisual horizons.

Since 2007 INVIDEO has become a competitive festival, aimed at promoting new talents. UNDER 35 is a prize money given to the best young director among the ones selected.  

A bilingual catalogue (Italian- English) portrays every year the international situation with unpublished images and files and focuses on topical and theoretical issues.

INVIDEO is directed by  Romano Fattorossi and Sandra Lischi.  Programme and screening coordinator: Valentina Di Prisco. Organization: Elisa Gattarossa

FOR FURTHER INFORMATION:

INVIDEO
Fabbrica del Vapore Via Procaccini, 4
20154 Milan, Italy.
Tel: 02 76115394 - Fax: 02 75280119
info@mostrainvideo.com
www.mostrainvideo.com

© 2009 Huesca Film Festival Foundation. C/ del Parque, 1 - 2º - 22002 Huesca, Spain - Tel.: (+34) 974 212 582